Tag Archives: Brothers Quay

O inevitabile fatum 0

In addi­tion to their obses­sion with writ­ing and hand­writ­ten arti­facts, the Quays use a vari­ety of print mate­ri­als as ele­ments of the décor in their films. These ele­ments are often used deno­ta­tively, i.e. as actual adver­tise­ments, posters, signs, etc., but they are also fre­quently used for their graphic qual­i­ties alone. One of the more sur­pris­ing print arti­facts to be fea­tured in their films is the hum­ble yet ubiq­ui­tous bar code.

Brothers Quay gallery – bar codes 0

This gallery con­tains stills from select films by the Broth­ers Quay.

Anatomy of a soundtrack: the Brothers’ Quay “Stille Nacht III 0

Lis­ten­ing to the sound­track from the Broth­ers’ Quay Stille Nacht III (Tales from Vienna Woods), the first thing we notice is that it’s not a sound­track by Leszek Jankowski, who has com­posed the music for many of the Quays’ best-known films. Rather, it is a sound col­lage appar­ently cre­ated by the Quays them­selves, as the cred­its at the end of the film are fictitious.

Hands are complicated thoughts 0

After the extreme close-up on the face, one of the most com­mon shots in the Broth­ers Quay filmic gram­mar is the close-up on the hands. As these shots remind us, hands can be as expres­sive as faces, per­haps even more so, when it comes to con­vey­ing emo­tional states or reveal­ing some­thing about the per­son (or pup­pet) to whom they belong.

Brothers Quay gallery – hands 0

This gallery con­tains a selec­tion of stills from films by the Broth­ers Quay fea­tur­ing close-ups on hands.

Picturing writing 0

The Quays’ inter­est in writ­ing has noth­ing to do with the shep­herd­ing of short sto­ries and nov­els from the page to the screen; rather, it’s all about the obses­sive visual explo­ration of writ­ing as both an activ­ity and an arti­fact that per­me­ates their films.

Brothers Quay gallery – writing 0

This gallery con­tains a selec­tion of stills from films by the Broth­ers Quay that reveal their obses­sion with writing.