Author Archives: Nipperkin

O inevitabile fatum 0

In addi­tion to their obses­sion with writ­ing and hand­writ­ten arti­facts, the Quays use a vari­ety of print mate­ri­als as ele­ments of the décor in their films. These ele­ments are often used deno­ta­tively, i.e. as actual adver­tise­ments, posters, signs, etc., but they are also fre­quently used for their graphic qual­i­ties alone. One of the more sur­pris­ing print arti­facts to be fea­tured in their films is the hum­ble yet ubiq­ui­tous bar code.

Brothers Quay gallery – bar codes 0

This gallery con­tains stills from select films by the Broth­ers Quay.

From my sktchbook, 4 0

sktch­book is an on-going project of images cre­ated on the iPhone using a vari­ety of image-making and manip­u­lat­ing appli­ca­tions, pri­mar­ily sktch, a gen­er­a­tive draw­ing app by CreativeApplications.Net, from which the project takes its name.

Anatomy of a soundtrack: the Brothers’ Quay “Stille Nacht III 0

Lis­ten­ing to the sound­track from the Broth­ers’ Quay Stille Nacht III (Tales from Vienna Woods), the first thing we notice is that it’s not a sound­track by Leszek Jankowski, who has com­posed the music for many of the Quays’ best-known films. Rather, it is a sound col­lage appar­ently cre­ated by the Quays them­selves, as the cred­its at the end of the film are fictitious.

invalidObjects 0

As I scan around for inter­est­ing things to lis­ten to on-line, I often find myself return­ing to Fällt Publishing’s invali­dOb­ject Series (2000), a thought­ful col­lec­tion of recent elec­tronic music rang­ing in style from glitch to ambi­ent to degree-zero sound.

As slow as possible 0

Sep­tem­ber 5, 2001 saw the begin­ning of what will be, on its com­ple­tion, the longest con­cert ever given. On that day, the birth­day of John Cage, a per­for­mance of the latter’s Organ2/ASLSP (1987) was begun in the church of St. Bur­chardi in Hal­ber­stadt, Ger­many. The con­cert will last 639 years.

Reading “A Humument” – the characters 0

It is tempt­ing, given the nature of A Humu­ment, to read the tex­tual ele­ments of the work as so many unre­lated orac­u­lar or apho­ris­tic state­ments. To do so, how­ever, is to deny the nar­ra­tive qual­i­ties of the work and ignore the fact that a story is being told.

From my sktchbook, 3 0

sktch­book is an on-going project of images cre­ated on the iPhone using a vari­ety of image-making and manip­u­lat­ing appli­ca­tions, pri­mar­ily sktch, a gen­er­a­tive draw­ing app by CreativeApplications.Net, from which the project takes its name.

The Conet Project 0

A word to the (short­wave radio) wise: The Conet Project, a fas­ci­nat­ing 4-CD com­pi­la­tion of 150 record­ings of “num­bers sta­tions” put out by Irdial-Discs in 1997 and which is unfor­tu­nately long out of print, is avail­able for either lis­ten­ing or down­load on-line.

Windmills of the mind 0

“Pierre Menard, Author of Don Quixote” is a (fic­tional) schol­arly homage to a (equally fic­tional) early-20th cen­tury French neo-Symbolist poet whose crown­ing lit­er­ary achieve­ment was to write, some 300 years after the fact and for no appar­ent rea­son, Don Quixote.