Monthly Archives: February 2010

The mystique of the optical 0

Tra­di­tion­ally the win­dow has been used as a fram­ing device intended to guide the viewer’s eye to an essen­tial part of the pic­ture. When it came to the “Win­dow Paint­ings,” how­ever, Schlem­mer took a slightly dif­fer­ent approach.

Picturing writing 0

The Quays’ inter­est in writ­ing has noth­ing to do with the shep­herd­ing of short sto­ries and nov­els from the page to the screen; rather, it’s all about the obses­sive visual explo­ration of writ­ing as both an activ­ity and an arti­fact that per­me­ates their films.

Brothers Quay gallery – writing 0

This gallery con­tains a selec­tion of stills from films by the Broth­ers Quay that reveal their obses­sion with writing.

Reading “A Humument,” page 1 0

The first page of Tom Phillips’ A Humu­ment is emblem­atic of the entire work. Tex­tu­ally and graph­i­cally it touches on some of the book’s cen­tral con­cerns and pro­vides clues to cer­tain of its mysteries.